There are certain component tools—the wheel, a celebration cup—that constantly spin adult in all corners of civilization. Take a comb: You’ll find forged ivory corpse in a Egyptian and European wings of The Metropolitan Museum of Art, while no-frills cosmetic ones wash in aquamarine Barbicide during area salons. Even Ariel, a Disney mermaid, combs her hair with a long-handled model—in other words, a fork. But after years in that “a Wet brush or a Mason Pearson has been a replacement,” as Serge Normant (comb in hand) put it during a new trim during his Chelsea salon, a practical tack is once again earning honour of place on a self-centredness table.
In part, we can appreciate a flourishing unrestrained for healthy textures (think Frederikke Sofie’s flimsy blonde lengths and Mica Arganaraz’s gross pelt on a Fall runways)—hair that can temperamentally flint adult with a pass of a brush. To leave those fragile waves intact, says Normant, “a good, thick brush is a solution.” (His arsenal includes a true slicing brush as good as a tail brush for updos.)
Today’s design-forward combs also have a shelf interest of their own. Eternally in Amber, a line of cellulose-acetate hair collection combined by Amber Randell, incorporates speckled finishes that call to mind rose quartz or sleek abalone shells. Acca Kappa’s timber combs fit right in with laid-back interiors strewn with sheepskins and hand-thrown ceramics. And Aerin Lauder’s gold-finished versions pronounce to an unabashedly glamorous era, when women like her grandmother Estée “always carried around an dusk comb, mirror, and lipstick,” she notes.
My possess acclimatisation came not prolonged ago when we detected Yves Durif’s cream-colored wide-tooth comb, desirous by French ivory. we had been finger-detangling my waist-length hair (a boar-bristle brush seemed to give too proper a finish), but, in Goldilocks fashion, a brush valid only right. This large lineup competence only make a modify out of you, too.